Keeping up with the theme, I would have put her in a black lace cold shoulder (full sleeve) ball gown with a thigh high slit, showing off her leg. Deepika looked pretty but not that experimental. The idea of turning the trench coat to a gown was a very bold move. Predictably, the Internet is abuzz with opinions on their sartorial choices.  The dress had an avant garde kind of feeling. For PeeCee her make-up and hair could have been better, she was definitely trying to catch eyeballs with her outfit and she did. Both of them have a nice Indian skin tone and therefore, a pop of colour in their outfits would have been amazing. I’d have also used self on buttons to steer the attention away from them and make it more red carpet-worthy.. Something hotter — like an asymmetric hemline, a low back. I would definitely opt for brighter lips for the two of them. With a personality and style like hers she can definitely carry off any elaborate or over the top look. It was like any other classic outfit that she would wear for a red carpet event. For my outfit style and shade though, I would choose shoes and earrings to match with my fabric and colour change and would opt for diamond string danglers in platinum along with a pair of metallic (matching the earrings) funky sky-high zanottis stilettoes. While Priyanka wore a fawn Ralph Lauren trench coat with a long trail, Deepika sported a simple white satin Tommy Hilfiger gown with more attention to detail on her ornate hair accessories.  The style stays loyal to the classic trench coat fabric and button details. 

A sense of style as opposed to her pretty look is what I would’ve opted for Deepika. Deepika looked angelic and beautiful but I would’ve loved to see her in bright colours.Bollywood beauties Priyanka Chopra and Deepika Padukone marked their debut at the famed Met Gala fashion fiesta in New York sporting extremely different looks. There was nothing unusual or risqué about Deepika’s outfit— unlike what you usually expect at the MET gala.I would have opted for a fabric with some sheen — preferably a steel or slate grey to make it look less boring. It was more of a Star Wars kind of an outfit, not ideal for the red carpet may be. A nice colour Nylon Taffeta Fabric Suppliers pop for both of them would’ve been great.Surily GoelI think both of them looked phenomenal in their outfits. I would have preferred a white colour trench, which would have added a wow factor to the look.  Deepika has a great body and I would have preferred something dramatic and edgy for her that would make heads turn. Also, her hair could’ve been wilder. In my opinion, the outfit was styled well and I would probably not change anything about the hair and makeup. I would have loved if she had experimented with something fun and wild with hair and make-up. Her hair could’ve been a Japanese kind of a bun — that would have been really interesting.

A structured outfit would have done wonders for her. Deepika’s body would be a treat to work with. The trench coat with the trail and an off-shoulder was very experimental. She has a very hot body and long legs; I would’ve given her something sexier, which would accentuate her body and long legs. So we got fashion experts to give a thumbs up or down to the ladies. Her outfit was appropriate and fabulous, and paid homage to the classic beige trench.Seema KhanThe MET is all about sassy, edgy and out-of-the-box fashion. However, I feel she should have worn it in off-white and black colour.Karn MalhotraPriyanka’s outfit was a great take on a trench coat, well executed! I would have personally preferred a good dose of lustre to the ensemble as per the demands of the event. One can go crazy with their imagination at MET.Priya Kataria PuriPriyanka’s outfit definitely stood out. I loved what Priyanka was wearing.

Indeed, it is easy to see why embroidered work has greater individual component when one compares with the shuttle and needle. For one, the textile forms have a long history dating back to the Harappan civilization, with a madder red piece of linen having being found in the excavations proving my contention.com. Two, I feel that the innate sense of design that evolved over a vast period of time developed to near perfection as a background for the contemporary artists to work from or rather take off from. Another interesting variation, named after the particular style of work in which it is employed, is the phulkari stitch from Punjab, which is purely and simply a darning stitch done entirely from the back, that is, from the wrong side of the fabric., and in garments used for ceremonial occasions. This includes all plain textiles from the loom, which receive their decoration and final treatment at the hands of the dyer, the printer or the embroiderer.A general view of the most important styles of embroidery will also reveal that though needle-work is usually associated with the feminine finger, this great art owes much to the masculine skill. A double satin stitch employed in the production of the Chamba Rumal may also be regarded as a typically Indian device to fill in large spaces and to make the decoration appear identical on both sides of the fabric. Textiles and tribal art from Madhya Pradesh being a case in point. One has to just look at tribal or aboriginal art from all across the globe and the linkages are evident. Embroidery or the decoration of woven fabrics with coloured threads Nylon Taffeta Fabric Factory with a needle is probably one of the oldest arts in the world. In Kashmir and Kutch, the two regions most famed for artistic needle-work, it is the men who are involved in this art. The same format is used for pitta (pitta from pitna or hitting) work as well, wherein the created design is flattened or beaten with a wooden mallet to create a flat style.

A charming addition is the mukaish work popular in Lucknow, which entails piercing a flat wire into the cloth and using it to create the design. Ditto for art and wearable art from the North-East states. This is true of other parts of India too.Countless variations abound and this at best the literal point of the needle and just as an interesting study or playful joy, may I request you to look at the work of artists from a specific region and match their work to the popular forms of embroidery from there, and I promise, you will be surprised at the linkages. Hence, it is found to possess individualities and characteristics of great beauty and interest. Embroidered garments and needles are mentioned in Vedic texts and the art still flourishes in all parts of India.The thread employed in embroidery is usually of wool or silk, the latter being more frequently used than wool, which is confined almost exclusively to the productions of crewel work of Kashmir.Dr Alka Raghuvanshi is an art writer, curator and artist and can be contacted on alkaraghuvanshi@yahoo. In the case of India, where we are still fortunate enough to have both the streams of tribal art and weaving still surviving, art emanating from those regions is palpably influenced.Since embroidery is a process carried out only after the cloth leaves the loom, much of the restraint involved in weaving a pattern on the loom is removed. Silk thread, to be adequate for purpose of decoration, has to pass through several simple processes from the raw to the finished state.

The art attained its highest development in northern and north-western India, and is probably more developed among the people of the hills than among those who live in the plains — perhaps as it requires little elaborate paraphernalia, often nothing, save a needle and coloured threads.The field that embroidery occupies in India is most extensive, and ranges from the simplest yet charming-bone patterns of the aborigines to the elaborate figure compositions of Chamba to the intricate chikan work of Lucknow or the delicate kasuti from Karnataka or the intricate patterns from both Kutch and Kashmir.It is my theory that most indigenous art or paintings of civilized communities have roots in their textiles. The origin of the gold thread artwork is said to be from Asia. The reasons are not far to seek. In India, even today, different types of embroideries are prepared with the use of gold thread.Since I am often overtly partial to the woven fabric, only for a change I will talk about the needle art as a form that deserves attention.The traditional ‘zardozi’ is prepared with the use of salma, sitara (prepared out of twisted gold thread and sequins), gijai, and the crinkled badla silver or gold flat wires and round-shaped sequins known as katori, which are used also with pearls and semi-precious stones. Gold thread embroidery is known in northern India as Kamdani. The embroiderer usually colours his own thread according to his own ideas of the desired design. In India, textile weaving developed as an independent art, and may be divided into two groups; the first group consists of fabrics, which are provided with artistic treatment when on the loom and the second consists of textiles in which artistic treatment are given subsequent to the weaving. In India, it dates back from the remotest period of history. Gold or silver threads are also widely used, particularly in hangings, trappings, etc.The use of gold and silver thread for embroidery is perhaps the oldest form of embroidery.

"We have Tiffany, she is visually challenged but for us she is a hero.The 10-day long festivity witnesses people engaging themselves in activities like boat race, flower arrangement, tug of war but what stands out most is the beautiful Handloom attires they wear around this time."Their campaign included physically challenged people, plus-size models, entrepreneurs among others. She modelled for us for the first time wearing a nice sleeveless Kurta like a dress with a stole.With the demand of Handloom only restricted to Onam season in the state, a number of units were shut down.Trivandrum: Designers and young entrepreneurs in the state are coming up with new creative Handloom ideas around the annual harvest festival, Onam which kicked off earlier this month."We have floral, check patterns in our Onam 2019 collection," she added. "It is a soft fabric which is dyed in Aloe Vera and carries a different touch and feel," Shobha said. We also had a plus-size model and an entrepreneur and artist," she told. To cater to this problem, new-age designers have started experimenting in Handloom fashion to woo more and more Keralites into wearing the traditional fabric.

To extend the reach of their latest Onam collection, the raincoat fabric manufacturers designer explained, "We recently did one campaign especially with people who are around us like Sheroes and Heroes. Inspired from nature, anyone can wear Handloom, doesnt matter what the age is, what background they come from, what complexion they have," she said. The festival is celebrated to commemorate the Great King Mahabali, who according to the legends is said to visit Kerala on this of this auspicious occasion. Shobha is using the service of small handloom units across Kerala to weave voguish dress.Her brand also collaborated with some famous fashion designers of the country to bring out a fresh collection for this years Onam festival. "This year we want to spread this message across that Handloom for all.The designer revealed that they played with the popular Boda and Kasava fabric and incorporated the two to weave out new soft fabric. Introducing a new fashion isnt enough until it is propagated to the masses..Taking inspiration from the nature around here, Shobha Ashwin, owner of Weavers Village, a noted clothing brand, wishes to spread the message that Handloom is for all.

"Technology plays a very strong part in fashion. As the economists say — lesser the supply, more the demand, and vice versa. The technique lessens the time-consuming handwork to quick and delicate designs through machineries. "We have tried and tested, at times failed but with time we have learnt how to printed fabric manufacturers balance the look."And there is a lot more that tech is bringing to fashion. 3D and now 4D printing is taking the fashion world by storm and making a huge statement. It also depends on the brand ideology — some brands choose to work with craftsmanship only while some choose to work with both. One does not necessarily have to be stuck to old and boring concepts. If they simply wanted digital prints, there are enough creative resources available to them in their own countries, why would they need to come to India?". This season our prints were very basic, with an ombre effect — so instead of usingdyes we used digital printing.While technology introduces new trends, tradition is maintained by handmade embroideries and traditional art of dyeing."Being in the industry for around 18 years now, Tytler has done numerous experiments with design.Fashion has always been about experimentation and customisation  — from fabrics and colours to prints and cuts."Creation by Eshaa AmiinDesigner Payal Jain strongly feels that today’s fashion consumer is extremely discerning as far as current trends are concerned, and also appreciates Indian textiles and crafts. "

The world comes to India for our craft, textile, printing traditions and embroidery techniques, we cannot forget those and ape the West because I truly believe that’s what sets us apart from them and brings buyers to us. If the prints are heavy, the embellishments are light, and if the print is light, we embellish the print. However, this is just a concept and the process of commercialisation is yet to start. "The current trend followed by most fashion brands of fusing modern prints and motifs with traditional embroidery techniques stems from this consumer preference and consequently, provides the youth of today with fashion that is contemporary as well as rooted in tradition, maintaining a balance between the old and new, modern and traditional, East and West.  "Anything is possible with this printing technique and everything conceivable can be interpreted on fabric," says Jain, who sees it as a boon for designers and creative people who live through their imagination and usually face problems converting these visions into reality — 3D and 4D printing are removing these road blocks and have made it easy to convert the most bizarre ideas into form.

Either way, as long as the demand persists, there is no fear of losing traditional touch," says Mehra. You need to move on with time, otherwise it doesn’t take much time to be forgotten," adds Tytler. "We are getting fabric which cools off and heats up according to the body and environment around it. We designers are like children, we like new toys to play with. "Laser printing also allows a lot of experimentation for designers to work with multiple layers and dimensions, surface ornamentation and fabric treatments, which are an exciting new addition to the fashion repertoire for today’s consumer. And currently riding a big wave of popularity is a blend of digital prints and traditional embellishment. But it all depends on how one interprets it every season. Talking about the trend he says, "Digital printing has been with us for sometime now. From infusing interesting prints such as snakeskin with textured fabrics like pinstripes and checks to net overlay, laser-cut work with crystal embellishments, he has done it all. So, is there any fear of tech overpowering the traditional roots? "With technology entering the fashion space, there is no fear of losing the traditional touch.Creation by Siddartha Tytler"Our strength as Indian designers will always be our rich heritage and textile legacy, if we lose that, we would lose our identity," asserts Jain."Adding to it Saggar Mehra, creative director at Sunil Mehra, says, "Precise cuts in fabric through laser brings out clean, accurate and clear cut designs.Siddartha Tytler is one of the pioneers of infusing digital prints with traditional embellishments.

With further development, the technology could lead to shirts that act as antennas for your smart phone or tablet, workout clothes that monitor your fitness level, sports equipment that monitors athletes’ performance, a bandage that tells your doctor how well the tissue beneath it is healing — or even a flexible fabric cap that senses activity in the brain."A revolution is happening in the textile industry," said Volakis, who is also the Roy & Lois Chope Chair Professor of Electrical Engineering at Ohio State."Recently, he and Kiourti refined their patented fabrication method to create prototype wearables at a fraction of the cost and in half the time as they could only two years ago. Like other modern sewing machines, it embroiders thread into fabric automatically based on a pattern loaded via a computer file. With new patents pending, they published the new results in the journal IEEE Antennas and Wireless Propagation Letters."—Source: eurekalert. "We believe that functional textiles are an enabling technology for communications and sensing — and one day even medical applications like imaging and health monitoring.org.With this advance, the Ohio State University researchers have taken the next step toward the design of functional textiles —clothes that gather, store, or transmit digital information.

A milestone for wearable electronicsclothes that receive and transmit digital information are closer to reality.In Volakis’ lab, the functional textiles, also called "e-textiles," are created in part on a typical tabletop sewing machine — the kind that fabric artisans and hobbyists might have at home.That last item is one that John Volakis, director of the ElectroScience Laboratory at Ohio State, and research scientist Asimina Kiourti are investigating. The researchers substitute the thread with fine silver metal wires that, once embroidered, feel the same as traditional thread to the touch. The idea is to make brain implants, which are under development to treat conditions from epilepsy to addiction, more comfortable by eliminating the need for external wiring on the patient’s body.1 mm precision — the perfect size to integrate electronic components such as sensors and computer memory devices into clothing.Researchers, who are working to develop wearable electronics, have reached a milestone: They are able to embroider circuits into fabric with 0. "Now, for the first time, we’ve achieved the accuracy of coated fabric factory printed metal circuit boards, so our new goal is to take advantage of the precision to incorporate receivers and other electronic components."We started with a technology that is very well known--W machine embroidery — and we asked, how can we functionalise embroidered shapes How do we make them transmit signals at useful frequencies, like for cell phones or health sensors " Volakis said.

"We have foreigners visiting the conventional tourist destinations in Burdwan and Murshidabad districts. Apart from opening an exclusive outlet for muslin at a prime location in south Kolkata (Dakshinapan market) we have also tied up with an NGO for the sale of the fabric," the board official said.The three places chosen by the board for the circuit are Baharampur in Mursidabad district and Akalpoush and Sasinara in Burdwan district, he said. Baluchar had been a hub for the exotic Baluchari saris and silk even in the 17th century. The board is hopeful that the tent fabric factory foreign embassies and consulates will help it in its plan. WBKVIB has already conducted a pilot project in this connection in Burdwan and Baluchar. We are planning to do it after Durga Puja," chairman of the West Bengal khadi and village industries board (WBKVIB) Gouri Sankar Dutta told PTI."Foreigners love to sit with the weavers and join hands with them in the preparation of the handmade fine fabric.

With an aim to boost the market of its prized muslin fabric, the West Bengal government is planning to introduce a muslin tourism circuit in the state soon, a top official has said."We have changed our marketing strategy. We feel that if we can provide them the opportunity to watch the production process, chances of them buying the products will go up," the officer said. They (Society) will take the foreign tourists to the places chosen for the circuit," another officer of WBKVIB said."We are very happy with the kind of response we have received at these two places during the pilot project," Mr Dutta said. We want them to see how muslin fabric is manufactured. The board has already changed its stance in the marketing of muslin fabric keeping in mind the ensuing festive season."Our aim is to bring our muslin tourism circuit to the forefront..The WBKVIB plans to take foreign tourists visiting West Bengal to these places and for the purpose it will take the help of the Society for Kindling Handicrafts and Indigenous Art which organises tours. "We are also considering including Baluchar in Jiaganj in Murshidabad district in the circuit," Mr Dutta added.