Keeping up with the theme, I would have put her in a black lace cold shoulder (full sleeve) ball gown with a thigh high slit, showing off her leg. Deepika looked pretty but not that experimental. The idea of turning the trench coat to a gown was a very bold move. Predictably, the Internet is abuzz with opinions on their sartorial choices.  The dress had an avant garde kind of feeling. For PeeCee her make-up and hair could have been better, she was definitely trying to catch eyeballs with her outfit and she did. Both of them have a nice Indian skin tone and therefore, a pop of colour in their outfits would have been amazing. I’d have also used self on buttons to steer the attention away from them and make it more red carpet-worthy.. Something hotter — like an asymmetric hemline, a low back. I would definitely opt for brighter lips for the two of them. With a personality and style like hers she can definitely carry off any elaborate or over the top look. It was like any other classic outfit that she would wear for a red carpet event. For my outfit style and shade though, I would choose shoes and earrings to match with my fabric and colour change and would opt for diamond string danglers in platinum along with a pair of metallic (matching the earrings) funky sky-high zanottis stilettoes. While Priyanka wore a fawn Ralph Lauren trench coat with a long trail, Deepika sported a simple white satin Tommy Hilfiger gown with more attention to detail on her ornate hair accessories.  The style stays loyal to the classic trench coat fabric and button details. 

A sense of style as opposed to her pretty look is what I would’ve opted for Deepika. Deepika looked angelic and beautiful but I would’ve loved to see her in bright colours.Bollywood beauties Priyanka Chopra and Deepika Padukone marked their debut at the famed Met Gala fashion fiesta in New York sporting extremely different looks. There was nothing unusual or risqué about Deepika’s outfit— unlike what you usually expect at the MET gala.I would have opted for a fabric with some sheen — preferably a steel or slate grey to make it look less boring. It was more of a Star Wars kind of an outfit, not ideal for the red carpet may be. A nice colour Nylon Taffeta Fabric Suppliers pop for both of them would’ve been great.Surily GoelI think both of them looked phenomenal in their outfits. I would have preferred a white colour trench, which would have added a wow factor to the look.  Deepika has a great body and I would have preferred something dramatic and edgy for her that would make heads turn. Also, her hair could’ve been wilder. In my opinion, the outfit was styled well and I would probably not change anything about the hair and makeup. I would have loved if she had experimented with something fun and wild with hair and make-up. Her hair could’ve been a Japanese kind of a bun — that would have been really interesting.

A structured outfit would have done wonders for her. Deepika’s body would be a treat to work with. The trench coat with the trail and an off-shoulder was very experimental. She has a very hot body and long legs; I would’ve given her something sexier, which would accentuate her body and long legs. So we got fashion experts to give a thumbs up or down to the ladies. Her outfit was appropriate and fabulous, and paid homage to the classic beige trench.Seema KhanThe MET is all about sassy, edgy and out-of-the-box fashion. However, I feel she should have worn it in off-white and black colour.Karn MalhotraPriyanka’s outfit was a great take on a trench coat, well executed! I would have personally preferred a good dose of lustre to the ensemble as per the demands of the event. One can go crazy with their imagination at MET.Priya Kataria PuriPriyanka’s outfit definitely stood out. I loved what Priyanka was wearing.

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Indeed, it is easy to see why embroidered work has greater individual component when one compares with the shuttle and needle. For one, the textile forms have a long history dating back to the Harappan civilization, with a madder red piece of linen having being found in the excavations proving my contention.com. Two, I feel that the innate sense of design that evolved over a vast period of time developed to near perfection as a background for the contemporary artists to work from or rather take off from. Another interesting variation, named after the particular style of work in which it is employed, is the phulkari stitch from Punjab, which is purely and simply a darning stitch done entirely from the back, that is, from the wrong side of the fabric., and in garments used for ceremonial occasions. This includes all plain textiles from the loom, which receive their decoration and final treatment at the hands of the dyer, the printer or the embroiderer.A general view of the most important styles of embroidery will also reveal that though needle-work is usually associated with the feminine finger, this great art owes much to the masculine skill. A double satin stitch employed in the production of the Chamba Rumal may also be regarded as a typically Indian device to fill in large spaces and to make the decoration appear identical on both sides of the fabric. Textiles and tribal art from Madhya Pradesh being a case in point. One has to just look at tribal or aboriginal art from all across the globe and the linkages are evident. Embroidery or the decoration of woven fabrics with coloured threads Nylon Taffeta Fabric Factory with a needle is probably one of the oldest arts in the world. In Kashmir and Kutch, the two regions most famed for artistic needle-work, it is the men who are involved in this art. The same format is used for pitta (pitta from pitna or hitting) work as well, wherein the created design is flattened or beaten with a wooden mallet to create a flat style.

A charming addition is the mukaish work popular in Lucknow, which entails piercing a flat wire into the cloth and using it to create the design. Ditto for art and wearable art from the North-East states. This is true of other parts of India too.Countless variations abound and this at best the literal point of the needle and just as an interesting study or playful joy, may I request you to look at the work of artists from a specific region and match their work to the popular forms of embroidery from there, and I promise, you will be surprised at the linkages. Hence, it is found to possess individualities and characteristics of great beauty and interest. Embroidered garments and needles are mentioned in Vedic texts and the art still flourishes in all parts of India.The thread employed in embroidery is usually of wool or silk, the latter being more frequently used than wool, which is confined almost exclusively to the productions of crewel work of Kashmir.Dr Alka Raghuvanshi is an art writer, curator and artist and can be contacted on alkaraghuvanshi@yahoo. In the case of India, where we are still fortunate enough to have both the streams of tribal art and weaving still surviving, art emanating from those regions is palpably influenced.Since embroidery is a process carried out only after the cloth leaves the loom, much of the restraint involved in weaving a pattern on the loom is removed. Silk thread, to be adequate for purpose of decoration, has to pass through several simple processes from the raw to the finished state.

The art attained its highest development in northern and north-western India, and is probably more developed among the people of the hills than among those who live in the plains — perhaps as it requires little elaborate paraphernalia, often nothing, save a needle and coloured threads.The field that embroidery occupies in India is most extensive, and ranges from the simplest yet charming-bone patterns of the aborigines to the elaborate figure compositions of Chamba to the intricate chikan work of Lucknow or the delicate kasuti from Karnataka or the intricate patterns from both Kutch and Kashmir.It is my theory that most indigenous art or paintings of civilized communities have roots in their textiles. The origin of the gold thread artwork is said to be from Asia. The reasons are not far to seek. In India, even today, different types of embroideries are prepared with the use of gold thread.Since I am often overtly partial to the woven fabric, only for a change I will talk about the needle art as a form that deserves attention.The traditional ‘zardozi’ is prepared with the use of salma, sitara (prepared out of twisted gold thread and sequins), gijai, and the crinkled badla silver or gold flat wires and round-shaped sequins known as katori, which are used also with pearls and semi-precious stones. Gold thread embroidery is known in northern India as Kamdani. The embroiderer usually colours his own thread according to his own ideas of the desired design. In India, textile weaving developed as an independent art, and may be divided into two groups; the first group consists of fabrics, which are provided with artistic treatment when on the loom and the second consists of textiles in which artistic treatment are given subsequent to the weaving. In India, it dates back from the remotest period of history. Gold or silver threads are also widely used, particularly in hangings, trappings, etc.The use of gold and silver thread for embroidery is perhaps the oldest form of embroidery.

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